| Issue | Title | |
| Volume 13 (2015) | Screening Jane. When History, Biography and Fiction create a Cinematic Life. | Abstract pdf |
| Roberta Grandi | ||
| Volume 41 (2021) - Special Issue | Scuola e alfabetizzazione in Italia. Caratteri e limiti di una correlazione spuria | Abstract PDF |
| Alberto A. Sobrero | ||
| Volume 55 (2023) - Special Issue | Selbst(De)Konstruktionen in der deutschsprachigen jüdischen Literatur aus der Ex-Udssr | Abstract PDF |
| Michele Vangi | ||
| Volume 7 (2012) | Selena Millares, De Vallejo a Gelman: un siglo de poetas para Hispanoamérica, Universidad de Alicante, Cuadernos de América sin nombre, 2011 | Abstract PDF |
| Lorena Ferrer Rey | ||
| Volume 56 (2023) | Self-oriented or visitor-oriented? Exploring the stance of museums online | Abstract PDF |
| Cecilia Lazzeretti | ||
| Volume 33 (2019) | Self-translation in translingual writing. Luan Starova’s Albanian and Macedonian versions of the novel ‘The Times of the Goats’ | Abstract pdf |
| Monica Genesin | ||
| Volume 27 (2018) - Special Issue | Serpenti, eroi e rose di maggio. La danza cosmica di femminile e maschile in Shakespeare | Abstract pdf |
| Antonella Riem | ||
| Volume 32 (2019) - Special Issue | Sezione I - Delle letterature | Details pdf |
| Francesca Bianchi | ||
| Volume 35 (2020) - Special Issue | SEZIONE I – La popolarizzazione del discorso specialistico | Details PDF |
| Gian Luigi De Rosa | ||
| Volume 32 (2019) - Special Issue | Sezione II - Di lingua e di linguistica | Details pdf |
| Francesca Bianchi | ||
| Volume 35 (2020) - Special Issue | SEZIONE II – Multimedialità e traduzione del discorso specialistico | Details PDF |
| Gian Luigi De Rosa | ||
| Volume 32 (2019) - Special Issue | Sezione III - Di cultura e storia | Details pdf |
| Francesca Bianchi | ||
| Volume 35 (2020) - Special Issue | SEZIONE III – La traduzione multimediale oltre il discorso specialistico | Details PDF |
| Gian Luigi De Rosa | ||
| Volume 10 (2013) | Sezione recensioni | Details PDF |
| Francesca Bianchi | ||
| Volume 10 (2013) | Sezione Studi | Details PDF |
| Francesca Bianchi | ||
| Volume 11 (2014) | Sezione Studi | Details pdf |
| Francesca Bianchi | ||
| Volume 43 (2021) Special Issue | Sfide accessibili oggi. Riflessioni sui sottotitoli per non udenti e sull’audiodescrizione | Abstract pdf |
| Silvia Bruti | ||
| Volume 45 (2021) Special Issue | Shakespeare and Digital Pathways. Shortening distances with ‘Romeo and Juliet’ | Abstract pdf |
| Mariacristina Cavecchi | ||
| Volume 27 (2018) - Special Issue | Shakespeare, Fletcher e l’imprevedibilità della canzone | Abstract pdf |
| Maria Luisa De Rinaldis | ||
| Volume 45 (2021) Special Issue | Shakespeare in Jail. Hamlet in Rebibbia: from Stage to Live Streaming Performances | Abstract pdf |
| Valeria Brucoli | ||
| Volume 52 (2022) - Special Issue | Shakespeare on the Stage for the Screen and Collaborative Translation: Cesare deve morire | Abstract PDF |
| Francesco Laurenti | ||
| Volume 69 (2025) | Shakespeare reimagined in Petr Zuska’s Romeo and Juliet (or Queen Mab and Friar Lawrence): Dancing with decolonial partnership opposites | Abstract PDF |
| Mattia Mantellato | ||
| Volume 27 (2018) - Special Issue | Shakespeare’s hybrid style | Abstract pdf |
| Janet Clare | ||
| Volume 39 (2020) | Shifting identities: Executives’ use of first-person pro-forms in financial Q&A sessions | Abstract pdf |
| Belinda Crawford Camiciottoli | ||
| Volume 38 (2020) - Special Issue | Shifting perspectives on native speaker teachers (And new roles for collaboratori linguistici?) | Abstract pdf |
| David Newbold | ||
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e-ISSN: 2239-0359