Isadora Duncan e la sua danza del futuro tra Germania e Russia


Abstract


The figure of Isadora Duncan, as a woman and dancer, is an authentic cultural phenomenon. She has produced a strong artistic and cultural impact and has deeply influenced lifestyles with her proclamations about the liberation of dance and the emancipation of women. In Russia, writers, thinkers, musicians, choreographers, dancers and critics were divided between those who regarded the dancer as the embodiment of the progressive ideas of the new era and those who accused her of desecrating music and dance. Isadora Duncan has not only deeply influenced the development of dance and the whole theatre, but has revolutionized many aspects of life, from fashion, through the enhancement of physicality and body, to women’s self-awareness.

DOI Code: 10.1285/i22390359v37p89

Keywords: Isadora Duncan; dance; music; women’s emancipation; art; freedom; physicality

References


Becker M.L. 1909-1910, Die Sezession in der Tanzkunst, in “Bühne und Welt. Zeitschrift für Theaterwesen, Literatur und Musik”, XII (ott. 1909-marzo 1910), vol. XXIII, pp. 27-43.

Belyj A. 1905, Lug zelenyj, in “Vesy” 8, pp. 5-16.

Belyj A. 1910, Lug zelenyj. Kniga statej, Al’ciona, Moskva.

Belyj A. 1981, Peterburg. Roman v vos’mi glavach s prologom i ėpilogom, Nauka, Moskva.

Benua A. 1904, Muzyka i plastika. (Po povodu Ajsedory Dunkan), in “Slovo” 23.12.1904 (5.01.1905) 23, pp. 5-6.

Bezrodnyj M. 1985, Serpantini – kto ona? Iz kommentarija k drame “Neznakomka”, in “Učenye zapiski Tart. gos. un-ta”, Fasc. 657, Blokovskij sbornik 5, Mir A. Bloka, pp. 46-58.

Blok A. 1981, Teatr, Sovetskij pisatel’. Lenigradskoe otdelenie, Leningrad.

Boehn (von) M. 1925, Der Tanz, Wegweiser-Verlag G.M.B.H., Berlin.

Böhmig M. 2016, La danza libera nel paese del balletto. Isadora Duncan in Russia (1903-1918), UniversItalia, Roma.

Chlebnikov V. 2005, Sobranie sočinenij v šesti tomach, IMLI RAN, Moskva, vol. IV.

Duncan I. 1903, Der Tanz der Zukunft (The Dance of the Future). Eine Vorlesung, Eugen Diederichs, Leipzig.

Duncan I. 1927, My Life, Boni & Liveright, New-York; trad. it. 1980, La mia vita, Savelli ed., Milano.

Evreinov N. 1911, Vstupitel’naja stat’ja, in AA.VV., Nagota na scene, a cura di Evreinov N., Tipo-litografija Morskogo Ministerstva v Glavnom Admiraltejste, Peterburg, pp. 1-14.

Fel’dman O (a cura di). 2000, Mejerchol’d i drugie. Dokumenty i materialy, Ob’’edinennoe gumanitarnoe izdatel’stvo, Moskva, vol. II.

Giubilei M. F e Sisi C. (a cura di) 2019, in collaborazione con Campana R., Barbara Nomellini E. e Veroli P., A passi di danza. Isadora Duncan e le arti figurative in Italia tra Ottocento e Avanguardia, Ed. Polistampa, Firenze.

Grečeskaja škola Ajsedory Dunkan 1908, in “V mire iskusstv” 1, pp. 10-12.

Kasatkina T. (a cura di) 1992, Ajsedora. Gastroli v Rossii, Izd-vo Artist. Režissёr. Teatr, Moskva.

Klim T. (a cura di) 2002, Iskusstvo dviženija. Istorija i sovremennost’, GCTM im. A.A. Bachrušina, Moskva.

Liechtensteinische Staatliche Kunstsammlung Prof. Eugen Zotow-Iwan Miassojedoff-Stiftung (Hrsg.) 1997, Ivan Miassojedoff / Eugen Zotow 1881-1953. Spuren eines Exils, Benteli, Bern.

Misler N. (a cura di) 1999, In principio era il corpo... l’Arte del Movimento a Mosca negli anni ’20, Electa, Roma.

Misler N. (a cura di) 2000, Čelovek plastičeskij, GCTM im. A.A. Bachrušina, Mosca.

Misler N. 2011, V načale bylo telo. Ritmoplastičeskie ėksperimenty načala XX veka. Choreologičeskaja laboratorija GAChN, Iskusstvo – XXI vek, Moskva.

Mjasoedov I. 1911, Manifest o nagote, in AA.VV., Nagota na scene, a cura di Evreinov N., Tipo-litografija Morskogo Ministerstva v Glavnom Admiraltejste, Peterburg, pp. 126-128.

MOTO-BIO – The Russian Art of Movement: Dance, Gesture and Gymnastics, 1910-1930 1996, numero speciale di “Experiment/Ėksperiment. A Journal of Russian Culture”, vol. 2.

Nietzsche F. 1878, Die Geburt der Tragödie aus dem Geiste der Musik. Oder: Griechentum und Pessimismus. Neue Ausgabe mit dem Versuch einer Selbstkritik, E. W. Fritzsch, Leipzig, 3a ed., http://www.nietzschesource.org/#eKGWB/GT (01.10.2019).

Rozanov V. 1913a, Dunkan i eё tancy. (14 janvarja 1913 g. v Malom teatre), in “Novoe vremja” 13236, 16(29)1.1913, p. 6.

Rozanov V. 1913b, U Ajsedory Dunkan, in “Novoe vremja” 13670, 19.2(4.3).1913, p. 6.

Rozanov V. 1914a, Na pečal’nom ostatke žizni, in “Novoe vremja” 13681, 15(28).4.1914, p. 5.

Rozanov V. 1914b, Sredi chudožnikov. S portretami, A.S. Suvorin, Peterburg.

Rozanov V. 1914c, Vospitatel’noe značenie tancev Ajs. Dunkan, in Rozanov V., Sredi chudožnikov, A. S. Suvorin, Peterburg, pp. 497-499.

Rozanov V. 2003, Na pečal’nom ostatke žizni, in Rudnev P., Teatral’nye vzgljady Vasilija Rozanova, Agraf, Moskva, pp. 356-358.

Sirotkina I. 2012, Svobodnoe dviženie i plastičeskij tanec v Rossii, NLO, Moskva (2a ed. riveduta e ampliata).

Sirotkina I. 2014, Šestoe čuvstvo avangarda. Tanec, dviženie, kinestezija v žizni poėtov i chudožnikov, Evropejskij universitet v Sankt-Peterburge, Peterburg.

Sologub F., Nočnye pljaski, https://www.fsologub.ru/lib/piece/piece_328.htm (01.07.2020).

Sologub F. 1908a, Mečta Don-Kichota. (Ajsedora Dunkan), in “Zolotoe runo” 1, pp. 79-80.

Sologub F. 1908b, Teatr odnoj voli, in AA.VV., Teatr. Kniga o novom teatre, Šipovnik, Peterburg, pp. 148-165.

Sologub F. 1912, Dressirovannyj pljas, in “Teatr i iskusstvo” 48, pp. 946-948.

Sologub F. 1913, Očarovanie vzorov. (Ajsedora Dunkan), in “Teatr i iskusstvo” 4, pp. 90-93.

Sologub F. 1915, Iskusstvo našich dnej, in “Russkaja mysl’” vol. XII, pp. 35-62.

Solov’ёv S. 1907, Cvety i ladan, Tipografija tov. A.I. Mamontova, Moskva.

Svetlov V. 1906, Antičnaja Choreografija i miss Duncan, in Idem., Terpsichora. Stat’i. Očerki. Zametki, A.F. Marks, Peterburg, pp. 167-179.

Varvarin V. (Rozanov V.) 1909, Tancy nevinnosti. (Ajsedora Dunkan), in “Russkoe slovo” 90, 21.4(4.5), pp. 2-3.

Vaškevič N. 1908, Istorija choreografii vsech vekov i narodov. S illjustracijami, Fasc. I, I. Knebel’, Moskva.

Vil’kina L. 1905, Ajsadora Dënkan v Peterburge, in “Vesy” 1, pp. 40-42.

Volynskij A. 1925, Kniga likovanij. Azbuka klassičeskogo tanca, Izd-vo Choreografičeskogo technikuma, Leningrad.

Volynskij A. 1992, Kniga likovanij. Azbuka klassičeskogo tanca, Izd-vo “Artist. Režisser. Teatr, Moskva.

Wagner R. 1850, Das Kunstwerk der Zukunft, Wigand, Leipzig, http://www.deutschestextarchiv.de/book/ view/wagner_zukunft_1850 (01.10.2019).

Whitman W. 1881, The Poetry of the Future, in “The North American Review” 291, vol. CXXXII, pp. 195-210.


Full Text: pdf

Refbacks

  • There are currently no refbacks.
کاغذ a4

Creative Commons License
This work is licensed under a Creative Commons Attribuzione - Non commerciale - Non opere derivate 3.0 Italia License.