Encounters with the sacred. Rod Jones’ novel The Mothers (2015)


Abstract


Abstract – This essay focuses on Rod Jones’ latest novel, The Mothers (2015), in connection with the sacred archetype of the Great Mother, belied and betrayed by the patriarchal Australian social conventions the author describes with depth of feeling, realistic and historical detail. The Mothers is a feminine saga presenting the interconnected lives of four women of different generations, living in Melbourne, from 1917 to 1990. This essay will show how, in spite of the failure and refusal of patriarchal dominator society to protect maternal partnership relationships, the Archetypal Mother is a relevant spiritual force in most of the women in Jones’ narrative, and in the autobiographical figure of David, the writer-protagonist-narrator of the last part of the novel. The book follows these women’s Songlines with a delicate, thorough and compassionate voice, which also vigorously and resolutely denounces the sorrowful and sad plight they are condemned to, under an insensitive and cold dominator order. Patriarchal society repudiates the sacred feminine in order to control and rule under a hierarchical, absolutist male power. The novel confirms Jones’ maturity and sensitivity as a writer who, with grace and deep understanding, can balance feeling, without falling into sentimentalism, or realism, without the trappings of the documentarist. The novel also successfully expresses the poetry and authenticity of life, while narrating in vivid detail everyday realities.

Abstract in Italiano – Questo saggio si focalizza sull’ultimo romanzo di Rod Jones, The Mothers (2015), collegandolo al sacro archetipo della Grande Madre, tradita dalle convenzioni sociali patriarcali australiane che l’autore descrive con profondità di sentimento, capacità narrative e storiche. The Mothers è una saga al femminile che presenta le vite interconnesse di quattro donne di diverse generazioni, che vivono a Melbourne tra il 1917 e il 1990. Questo saggio intende dimostrare come, nonostante il fallimento e il rifiuto della società di dominio patriarcale nel proteggere i rapporti materni, la Madre Archetipica è una forza di rilievo nella maggior parte delle donne presenti e nella figura autobiografica di David, lo scrittore-protagonista-narratore dell’ultima parte del romanzo. Il libro segue le vie dei canti di queste donne con una voce compassionevole, che sa anche denunciare in modo risoluto e vigoroso la triste condizione alla quale sono condannate, sotto un potere di dominio freddo e insensibile. La società patriarcale ripudia il sacro femminile per controllare e governare attraverso un potere maschile assolutista. Il romanzo conferma la maturità e la sensibilità della scrittura di Jones. Con grazia e profonda comprensione Jones sa equilibrare il sentire senza essere preda del sentimentalismo, è realistico senza cadere nella scrittura documentaristica, descrive la poesia e l’autenticità della vita mentre narra con dettagli vividi della realtà quotidiana.


DOI Code: 10.1285/i22390359v17p181

Keywords: Archetypal Mother; The Patriarchal Predator; The Pregnant Daughter; Women who Run with the Wolves

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