Setting the scene: Filling the Gaps in Populism Studies

Abstract

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Papers Published in this Special Issue:

Adami A. (2020), “Visual Analysis and Right Wing (Populist) Groups”, Partecipazione e conflitto, 13(1): 315-336.

Aslanidis P. (2020), “Major Directions in Populism Studies: Is There Room for Culture?”, Partecipazione e conflitto, 13(1): 59-82.

Bonansinga D. (2020), “Who Thinks, Feels. The Relationship Between Emotions, Politics and Populism”, Partecipazione e conflitto, 13(1): 83-106.

Bulli G. (2020), “The Long Evolution of Extreme Right Music in Italy and Germany”, Par-tecipazione e conflitto, 13(1): 207-231.

Caruso L. (2020), “Populism and Pop Cultures: Podemos, the Political Use of Music and the Party as a ‘Pop Product’”, Partecipazione e conflitto, 13(1): 180-206.

Dessì V. (2020), “Voicing Change. The Popular Subject of Protest Music in Revolutionary Cairo (2011-2013)”, Partecipazione e conflitto, 13(1): 232-255.

Eklundh E. (2020), “Excluding Emotions: The Performative Function of Populism”, Par-tecipazione e conflitto, 13(1): 107-131.

Feo F. and M.R. Lundstedt (2020, “Feminism Goes Mainstream? Feminist Themes in Mainstream Popular Music in Sweden and Denmark”, Partecipazione e conflitto, 13(1): 284-314.

Klein O. (2020), “Misleading Memes. The Effects of Deceptive Visuals of the British Na-tional Party”, Partecipazione e conflitto, 13(1): 154-179.

Magaudda P. (2020), “Populism, Music and the Media. The Sanremo Festival and the Cir-culation of Populist Discourses”, Partecipazione e conflitto, 13(1): 132-153.

Ostiguy P. (2020), “The Socio-Cultural, Relational Approach to Populism”, Partecipazione e conflitto, 13(1): 29-58.

Westheuser L. (2020), “Populism as a Symbolic Class Struggle. Homology, Metaphor, and English Ale”, Partecipazione e conflitto, 13(1): 256-283.